Smooth White
Smooth White - a card that has excellent print quality on both sides, with high whiteness to ensure the best print contrast and colour reproduction properties required for high-end card print production. A patented coating formula provides outstanding lightfastness, giving the end products a longer life.
FSC® certified.
Textured White Matt
Textured White - a premium card that is acid-free and of archival quality with great uniformity and consistency. Using virgin pulp for the highest-quality fibre formation that has a matt appearance and is clean and soft to the touch. Brilliant colour reproduction and image resolution.
FSC® certified.
Glossy White
Glossy White - a card with a high gloss finish on the top side and a light matt coating on the reverse. The glossy finish ensures very bright printing results with excellent contrast, detail and colour saturation.
FSC® certified.
Bright White Envelope
Ivory Envelope
Brown Kraft Ribbed Envelope
Crimson Envelope
Gold Envelope
Silver Envelope
Purple Envelope
Lavender Envelope
Spring Green Envelope
Spring Pink Envelope
If you want to protect and enhance the presentation of your cards then we can offer you two types of clear protective sleeves for your greeting cards:
A white, 100% cotton paper with a velvety textured surface.
The new Somerset Enhanced paper continues to be a mould made, 100% cotton, fine art paper. Produced at St Cuthberts Mill in England, the artisan papermakers use a traditional cylinder mould to create the look and feel of an authentic handmade artist paper.
Somerset Enhanced Velvet has a fine grain texture and a velvety mid textured surface, using natural woollen, which accentuates the detail in the final image, and the natural white base, which contains no optical brightening agents, adds vibrancy and depth to colour, excellent contrast, and very deep blacks.
A genuine 100% rag, watercolour paper.
Infinity Aquarelle Rag is a genuine 100% cotton rag watercolour paper that possesses the unique structure, surface texture and warm white tone that demanding artists expect from a traditional Fine Art paper. This acid free paper complies with the highest archival standards and is extremely age resistant. Mould-made: which is the oldest and finest paper making technique, the paper has an even natural grain and a felt-marked finish.
A traditional mould made watercolour paper.
Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill in Somerset. This is a high quality acid free paper made to archival standards and has an attractive surface that is created using natural woollen felts that give it a distinctive random texture. It is an ideal paper for reproductions of traditional artworks and also for striking and expressive photo reproductions.
A traditional mould made watercolour paper.
The distinct fine surface and the warm white tone of Albrecht Dürer impart both a classical and modern feel to art reproductions and photographs. A 50% cotton and 50% cellulose genuine mould-made acid and lignin-free watercolour paper with no optical brighteners. Its premium matt coating meets the highest industry standards regarding density, colour gamut, colour graduation and image sharpness while preserving the special touch and feel of genuine art paper. It is ideally suited to the reproduction of oil and acrylic originals.
A Fourdrinier process made watercolour paper.
A natural white watercolour paper that has a slightly textured matte surface. This alpha cellulose fine art paper, made using the fourdrinier process, is acid and lignin free which means it has good archival qualities. An economical media suitable for both fine art and photographic reproductions. Redcliffe Watercolour paper is a professional Fine Art inkjet paper.
A highly textured fine art paper.
Torchon is a cellulose-based, bright white paper with a coating specially tailored for FineArt applications. The bright white, acid and lignin-free, art paper has a clear, coarsely structured felt mark and is characterised by a very special tactile feel, the term "Torchon" comes from the French, meaning "coarse structure". The premium matt coating produces outstanding print results, with bright colours, perfect reproduction of detail and deep black. This paper captures the timeless beauty and three dimensionality of an original piece and is excellent for fine art photography and fine art reproduction.
A smooth matte surface, with subtle hints of surface texture.
Photo Rag is one of the world’s most popular papers and the valued all-rounder for high-quality Fine Art printing. The 100% white cotton artist’s paper, with its characteristic, wonderfully soft feel boasts a lightly defined felt structure. The matt premium coating produces outstanding prints that feature brilliant colours, deep blacks, striking contrasts and perfect reproduction of detail. This acid and lignin-free classic meets the most exacting requirements for age resistance and is specially designed for Fine Art applications.
A beautiful defined felt structure paper.
Somerset Photo is a professional fine art paper made at St Cuthberts Mill in Somerset. It has a smooth matte surface using natural woollen felts and is 100% cotton. It exhibits high whiteness, without the use of optical brightening agents. This archival grade paper is buffered with calcium carbonate to combat acid attack that finished prints may encounter from air pollution. Crisp and vibrant images are achievable, whilst retaining the subtleties and beauty of an authentic artist paper. Blacks look wonderfully deep and velvety.
A "metallic" finish photo paper.
Titanium Lustre is a Silver Metallic Paper and has a beautiful pronounced textured finish on a heavyweight 280gsm silver resin coated base. The great tonal range, wide colour gamut and high D-max works extremely well with images that have vibrant colours, deep blacks or containing reflective metal surfaces such as chrome, silver or even gold. Black and white and HDR images look stunning on this surface. The obvious choice for any photographer, graphic artist looking for something that is definitely a bit different.
A "metallic" finish photo paper.
Photo Rag Metallic features a special silvery-shimmering surface finish. The unique high-gloss metallic premium coating guarantees impressive printing, bold colours, deep blacks and perfect reproduction of colour and detail. The natural white cotton paper contains no optical brighteners and has the characteristic Photo Rag surface structure and feel. It is acid and lignin-free and meets the most exacting requirements in terms of age resistance. Perfect for images with metallic elements, reflections, ice and glass, architecture, landscapes as well as black and white photographs with high-contrast tones shine.
A classic Japanese fibre paper.
Awagami Papers are extraordinary Japanese washi papers created solely in the Tokushima mill to give you the highest quality of digital print. Unryu Thin’s swirling fibres reflects a classic Japanese aesthetic with its subtle cloud-like inclusions of long kozo (mulberry) fibres. Particularly interesting when backlit or freely hanging from a wall or ceiling, this papers’ unique texture is certain to increase the expressiveness of any work printed on it. It is also PH neutral to insure museum quality archival prints.
A traditional analogue baryta paper.
FineArt Baryta is a bright white, cellulose-based paper with a barium sulphate coating that gives the feel of a traditional analogue baryta paper. The high-gloss premium coating guarantees outstanding print results with perfect reproduction of colour and detail, deep blacks and striking contrasts. Acid and lignin-free, it meets the most exacting requirements for age resistance.
A luxurious fine art paper.
FineArt Pearl is a bright white, cellulose-based paper with a delicately textured surface and a smooth, silky feel. It meets the highest industry standards regarding density, colour gamut, colour graduation and image sharpness while preserving the special touch and feel of genuine art paper. Acid and lignin-free, it meets the most exacting requirements for age resistance and is ideal for printing high-quality colour and black & white photographs.
A F-Type Baryta fibre paper.
Infinity Platine Fibre Rag is a premium 100% cotton Platinum Satin paper. It provides the aesthetic and feel of the original F-Type Baryta Fibre paper, having a true pure white tone without using optical brighteners that are known to affect the longevity of digitally produced images. With the latest microporous coating this paper makes traditional darkroom paper now available for your digital printing. It’s extremely high Dmax and exceptional grey tones make it the product of choice for the more discerning black and white as well as colour photographic prints.
A lightly textured natural paper.
FineArt Hemp uses one of the oldest and most diverse natural fibres in the world, made of 60% hemp fibre and 40% cotton, for a natural look and environmentally friendly paper production. Its bright white natural tone thanks to the bright white colour of the hemp fibre means no optical brighteners are required. The lightly textured surface gives the paper a pleasant, silky feel. This acid and lignin-free paper meets the most exacting requirements in terms of age resistance. Hemp was an essential part of paper production for centuries, and due to its extremely robust fibres, it has often been used for long-lasting historical documents, such as the Gutenberg Bible and the US Declaration of Independence.
A "metallic" finish photo paper.
Hahnemühle FineArt Agave is a high quality versatile FineArt paper, 70% of this unique, environmentally friendly FineArt paper is made from agave sisal fibres and 30% cotton. This white paper without optical brighteners has a rough, yet delicately defined surface texture. The combination of unique raw fibre materials, bright white natural tone, balanced surface texture and the customary high print quality makes it an exclusive, versatile FineArt paper. Hahnemühle Agave is acid and lignin-free and meets the most exacting requirements in terms of age resistance.
A warm-toned sugar cane paper.
Hahnemühle Sugar Cane paper is made from a rapidly renewable natural raw material – sugar cane. 70% of this environmentally friendly paper consist of bagasse fibres, a by-product of sugar cane processing. The natural white, warm-toned sugar cane paper does not contain optical brighteners, and features a unique, clearly defined felt structure and tactile feel. This paper is acid- and lignin-free and meets the most stringent requirements in terms of age resistance. The unique combination of sustainable sugar cane fibres, clearly defined surface texture and impressive print quality gives the artwork outstanding expressiveness and soul.
A resin coated photo paper.
Canson® Infinity PhotoGloss Premium Resin Coated consists of an alpha cellulose acid-free art paper coated with polyethylene and a microporous colour receiver layer. PhotoGloss offers an exceptional Dmax as well as a wide colour gamut and is ideal to produce stunning colour and black and white photographs. It also exceeds the expectations of true professional photographic paper and has been designed to comply with the highest lifespan requirements.
A resin coated photo paper.
This premium resin coated paper consists of an alpha cellulose acid-free art paper coated with a structured polyethylene and a microporous receiver layer. The surface of this paper is reminiscent of original photochemical papers, gives softened reflections on photographs and is a great choice for black & white and colour photography. This exceptional photographic paper has been designed to comply with the highest lifespan requirements.
A "metallic" finish photo paper.
Our top grade professional canvas is “OBA Free” and has no optical brightening agents. Manufactured with a high quality 100% pure cotton canvas base and coated with a new advanced technology of microporous coating. The coating is water resistant and specially designed for professionals in search of a canvas that can produce true Fine Art reproductions that require precision images with a very high resolution.
Primavera - © Rosso Emerald Crimson
Somerset Enhanced Velvet
255 gsm - Matt Textured
Somerset Enhanced is a professional fine art paper made at St Cuthberts Mill in Somerset. It has a velvety mid textured surface, using natural woollen felts and is 100% cotton. This archival grade paper exhibits high whiteness, without the use of optical brightening agents and is buffered with calcium carbonate to combat acid attack that finished prints may encounter from air pollution.
Angels Are Astronauts - Sun - © Chris Rivers
Canson Infinity Aquarelle Rag
310 gsm - Matt Textured
Infinity Aquarelle Rag is a genuine 100% cotton rag watercolour paper that possesses the unique structure, surface texture and warm white tone that demanding artists expect from a traditional Fine Art paper. This acid free paper complies with the highest archival standards and is extremely age resistant. Mould-made: which is the oldest and finest paper making technique, the paper base meets ISO 9706 requirements and gives a unique and unrivalled character to the Fine Art reproduction of traditional artworks and photographs.
Splendid Garden - Westerwick - © Avril Thompson Smith
Bockingford Watercolour Paper
190 gsm - Matt Textured
Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill in Somerset. This is a high quality acid free paper made to archival standards and has an attractive surface that is created using natural woollen felts that give it a distinctive random texture. It is an ideal paper for reproductions of traditional artworks and also for striking and expressive photo reproductions.
Natural Magic - © Nigel Emery
Hahnemühle Albrect Durer
210 gsm - Matt Textured
The distinct fine surface and the warm white tone of Albrecht Dürer impart both a classical and modern feel to art reproductions and photographs. A 50% cotton and 50% cellulose genuine mould-made acid and lignin-free watercolour paper with no optical brighteners. Its premium matt coating meets the highest industry standards regarding density, colour gamut, colour graduation and image sharpness while preserving the special touch and feel of genuine art paper. It is ideally suited to the reproduction of oil and acrylic originals.
Remembering October - © Andrea Mosey
Redcliffe Watercolour
210 gsm - Matt Textured
A natural white watercolour paper that has a slightly textured matte surface. This alpha cellulose fine art paper, made using the fourdrinier process, is acid and lignin free which means it has good archival qualities. An economical media suitable for both fine art and photographic reproductions. Redcliffe Watercolour paper is a professional Fine Art inkjet paper.
Angry Crab - © Kate Smith
Hahnemühle Torchon
285 gsm - Matt Textured
Torchon is a cellulose-based, bright white paper with a coating specially tailored for FineArt applications. The bright white, acid and lignin-free, art paper has a clear, coarsely structured felt mark and is characterised by a very special tactile feel. The premium matt coating produces outstanding print results, with bright colours, perfect reproduction of detail and deep black. This paper captures the timeless beauty and three dimensionality of an original piece and is excellent for fine art photography and fine art reproduction.
Back on the Road - © Stephen Hanson
Hahnemühle Photo Rag
308 gsm - Matt Smooth
Photo Rag is one of the world’s most popular papers and the valued all-rounder for high-quality Fine Art printing. The 100% white cotton artist’s paper, with its characteristic, wonderfully soft feel boasts a lightly defined felt structure. The matt premium coating produces outstanding prints that feature brilliant colours, deep blacks, striking contrasts and perfect reproduction of detail. This acid and lignin-free classic meets the most exacting requirements for age resistance and is specially designed for Fine Art applications.
Somerset Photo
300 gsm - Matt Smooth
Somerset Photo is a professional fine art paper made at St Cuthberts Mill in Somerset. It has a smooth matte surface using natural woollen felts and is 100% cotton. It exhibits high whiteness, without the use of optical brightening agents. This archival grade paper is buffered with calcium carbonate to combat acid attack that finished prints may encounter from air pollution. Crisp and vibrant images are achievable, whilst retaining the subtleties and beauty of an authentic artist paper. Blacks look wonderfully deep and velvety.
Prince - © Vincent Vee
Permajet Fine Art Titanium Lustre
280 gsm - Lustre
Titanium Lustre is a Silver Metallic Paper and has a beautiful pronounced textured finish on a heavyweight 280gsm silver resin coated base. The great tonal range, wide colour gamut and high D-max works extremely well with images that have vibrant colours, deep blacks or containing reflective metal surfaces such as chrome, silver or even gold. Black and white and HDR images look stunning on this surface. The obvious choice for any photographer, graphic artist looking for something that is definitely a bit different.
Oysters - © Judith Kimber
Hahnemühle Metallic Photo Rag
340 gsm - Glossy
Photo Rag Metallic features a special silvery-shimmering surface finish. The unique high-gloss metallic premium coating guarantees impressive printing, bold colours, deep blacks and perfect reproduction of colour and detail. The natural white cotton paper contains no optical brighteners and has the characteristic Photo Rag surface structure and feel. It is acid and lignin-free and meets the most exacting requirements in terms of age resistance. Perfect for images with metallic elements, reflections, ice and glass, architecture, landscapes as well as black and white photographs with high-contrast tones shine.
Cherry Blossom
Awagami Washi - Unryu Thin
55gsm - Matt
Awagami Papers are extraordinary Japanese washi papers created solely in the Tokushima mill to give you the highest quality of digital print. Unryu Thin’s swirling fibres reflects a classic Japanese aesthetic with its subtle cloud-like inclusions of long kozo (mulberry) fibres. Particularly interesting when backlit or freely hanging from a wall or ceiling, this papers’ unique texture is certain to increase the expressiveness of any work printed on it. It is also PH neutral to insure museum quality archival prints.
Black Turtle Neck - © Nadya Korobkova
Hahnemühle FineArt Baryta
325 gsm - Glossy
FineArt Baryta is a bright white, cellulose-based paper with a barium sulphate coating that gives the feel of a traditional analogue baryta paper. The high-gloss premium coating guarantees outstanding print results with perfect reproduction of colour and detail, deep blacks and striking contrasts. Acid and lignin-free, it meets the most exacting requirements for age resistance.
Snow Queen - © Angelina Egorova
Hahnemühle Fine Art Pearl
285 gsm - Pearl Finish
FineArt Pearl is a bright white, cellulose-based paper with a delicately textured surface and a smooth, silky feel. It meets the highest industry standards regarding density, colour gamut, colour graduation and image sharpness while preserving the special touch and feel of genuine art paper. Acid and lignin-free, it meets the most exacting requirements for age resistance and is ideal for printing high-quality colour and black & white photographs.
Red-Eyed Amazon Tree Frog
Canson Infinity Platine Fibre Rag
310 gsm - Pearl Finish
Infinity Platine Fibre Rag is a premium 100% cotton Platinum Satin paper. It provides the aesthetic and feel of the original F-Type Baryta Fibre paper, having a true pure white tone without using optical brighteners that are known to affect the longevity of digitally produced images. With the latest microporous coating this paper makes traditional darkroom paper now available for your digital printing. It’s extremely high Dmax and exceptional grey tones make it the product of choice for the more discerning black and white as well as colour photographic prints.
Environmentally friendly papers made from unique, sustainable raw materials: hemp and agave. The plants that provide the cellulose require minimal maintenance, grow quickly and don’t need any pesticides. Their rapid growth means that more cellulose can be produced on the same cropland than with other raw materials, and they also require much less water, helping to save valuable resources and protect the environment.
Hemp Oil, Seeds and Leaves - © Kostrez
Hahnemühle FineArt Hemp
290 gsm - Matt Textured
FineArt Hemp uses one of the oldest and most diverse natural fibres in the world, made of 60% hemp fibre and 40% cotton, for a natural look and environmentally friendly paper production. Its bright white natural tone thanks to the bright white colour of the hemp fibre means no optical brighteners are required. The lightly textured surface gives the paper a pleasant, silky feel. This acid and lignin-free paper meets the most exacting requirements in terms of age resistance. Hemp was an essential part of paper production for centuries, and due to its extremely robust fibres, it has often been used for long-lasting historical documents, such as the Gutenberg Bible and the US Declaration of Independence.
Agave Plant Leaves - © Asharkyu
Hahnemühle FineArt Agave
290 gsm - Matt Textured
Hahnemühle FineArt Agave is a high quality versatile FineArt paper, 70% of this unique, environmentally friendly FineArt paper is made from agave sisal fibres and 30% cotton. This white paper without optical brighteners has a rough, yet delicately defined surface texture. The combination of unique raw fibre materials, bright white natural tone, balanced surface texture and the customary high print quality makes it an exclusive, versatile FineArt paper. Hahnemühle Agave is acid and lignin-free and meets the most exacting requirements in terms of age resistance.
Sugar Skull Cookies - © Oleksandra Naumenko
Hahnemühle Sugar Cane
300 gsm - Matt Textured
Hahnemühle Sugar Cane paper is made from a rapidly renewable natural raw material – sugar cane. 70% of this environmentally friendly paper consist of bagasse fibres, a by-product of sugar cane processing. The natural white, warm-toned sugar cane paper does not contain optical brighteners, and features a unique, clearly defined felt structure and tactile feel. This paper is acid- and lignin-free and meets the most stringent requirements in terms of age resistance. The unique combination of sustainable sugar cane fibres, clearly defined surface texture and impressive print quality gives the artwork outstanding expressiveness and soul.
Weston Grand Pier - © Jon Rees
Canson Photo Glossy
270 gsm - Glossy
Canson® Infinity PhotoGloss Premium Resin Coated consists of an alpha cellulose acid-free art paper coated with polyethylene and a microporous colour receiver layer. PhotoGloss offers an exceptional Dmax as well as a wide colour gamut and is ideal to produce stunning colour and black and white photographs. It also exceeds the expectations of true professional photographic paper and has been designed to comply with the highest lifespan requirements.
UK Wolf Conservation Trust - © Gemma Malenoir
Canson Infinity Photo Satin Premium
270 gsm - Satin
This premium resin coated paper consists of an alpha cellulose acid-free art paper coated with a structured polyethylene and a microporous receiver layer. The surface of this paper is reminiscent of original photochemical papers, gives softened reflections on photographs and is a great choice for black & white and colour photography. This exceptional photographic paper has been designed to comply with the highest lifespan requirements.
The Coxswain - © Rebecca Machin
Canson Infinity Museum Pro Canvas
385 gsm - Lustre
Our top grade professional canvas is “OBA Free” and has no optical brightening agents.
Manufactured with a high quality 100% pure cotton canvas base and coated with a new advanced technology of microporous coating. The coating is water resistant and specially designed for professionals in search of a canvas that can produce true Fine Art reproductions that require precision images with a very high resolution.
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